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Síða 306
39 Yet this shift to adventure narrative is paradoxically also the shift away from modern cinema , as Ponting's voice - over narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of ...
39 Yet this shift to adventure narrative is paradoxically also the shift away from modern cinema , as Ponting's voice - over narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of ...
Síða 381
Linking these two voice - over sequences is an interaction between the girl and the woman at the table . In the mirror , we see the girl serve coffee to the woman , and we hear the voice - over explain , “ We smile ...
Linking these two voice - over sequences is an interaction between the girl and the woman at the table . In the mirror , we see the girl serve coffee to the woman , and we hear the voice - over explain , “ We smile ...
Síða 382
Rather , the racist foreclosure described by the voice - over and performed by the background voices collides with the identificatory encounter between the girl and the woman at the table , itself described by the voice - over and ...
Rather , the racist foreclosure described by the voice - over and performed by the background voices collides with the identificatory encounter between the girl and the woman at the table , itself described by the voice - over and ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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