Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 306
... voice - over narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of signification . Because the movie camera was too cumbersome for Scott to carry to the pole , gradually the filmic ...
... voice - over narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of signification . Because the movie camera was too cumbersome for Scott to carry to the pole , gradually the filmic ...
Síða 381
... voice - over sequences is an interaction between the girl and the woman at the table . In the mirror , we see the girl serve coffee to the woman , and we hear the voice - over explain , “ We smile at each other different and alike . She ...
... voice - over sequences is an interaction between the girl and the woman at the table . In the mirror , we see the girl serve coffee to the woman , and we hear the voice - over explain , “ We smile at each other different and alike . She ...
Síða 382
... voices collides with the identificatory encoun- ter between the girl and the woman at the table , itself described by the voice - over and reenacted in the mirror . Although Bastajian has said that J. Khorozian is a gay man , the film ...
... voices collides with the identificatory encoun- ter between the girl and the woman at the table , itself described by the voice - over and reenacted in the mirror . Although Bastajian has said that J. Khorozian is a gay man , the film ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York