Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
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Síða 369
... vandal . This crime , he explains , is “ so new in the traditions of civilized man " that " civilized man " " has no name for it . " A certain fanciful historical narrative thus underwrites Lem- kin's politics of nominalism : between ...
... vandal . This crime , he explains , is “ so new in the traditions of civilized man " that " civilized man " " has no name for it . " A certain fanciful historical narrative thus underwrites Lem- kin's politics of nominalism : between ...
Síða 371
... vandal are absolutely other- in fact needs the barbarian and the vandal , just as so many Arme- nians need the figure of the genocidal Turk ; the former exists only to the extent that it continually invokes and casts out the latter . As ...
... vandal are absolutely other- in fact needs the barbarian and the vandal , just as so many Arme- nians need the figure of the genocidal Turk ; the former exists only to the extent that it continually invokes and casts out the latter . As ...
Síða 372
... vandal who must be cast out for " civilized man " to mourn his losses and to maintain his coherence . That is , while " genocide " claims simply to prosecute barbarism and vandal- ism , like Creon's sentence it rather at once defines ...
... vandal who must be cast out for " civilized man " to mourn his losses and to maintain his coherence . That is , while " genocide " claims simply to prosecute barbarism and vandal- ism , like Creon's sentence it rather at once defines ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York