Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 7
Síða 396
... of receiving the richness of the world's linguistic and perceptual signifiers . This constitutes a pivotal conceptual move , a complex displacement of the traditional opposition between pas- sivity and 396 Domietta Torlasco.
... of receiving the richness of the world's linguistic and perceptual signifiers . This constitutes a pivotal conceptual move , a complex displacement of the traditional opposition between pas- sivity and 396 Domietta Torlasco.
Síða 397
complex displacement of the traditional opposition between pas- sivity and activity , and our understanding of Varda's work highly benefits from it . And yet , if “ receptacle " is now aligned with the surface rather than the implement ...
complex displacement of the traditional opposition between pas- sivity and activity , and our understanding of Varda's work highly benefits from it . And yet , if “ receptacle " is now aligned with the surface rather than the implement ...
Síða 414
... traditional forms of warfare as well as how " a certain model of horror is indispensable for understanding our present . ” The study illustrates the history and prehistory of horror as an aesthetic and political category , beginning ...
... traditional forms of warfare as well as how " a certain model of horror is indispensable for understanding our present . ” The study illustrates the history and prehistory of horror as an aesthetic and political category , beginning ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York