Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
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Síða 295
... tion of physical reality , " or as he writes , It is my contention that film , our contemporary , has a definite bearing on the era into which it is born ; that it meets our inmost needs precisely by exposing - for the first time , as ...
... tion of physical reality , " or as he writes , It is my contention that film , our contemporary , has a definite bearing on the era into which it is born ; that it meets our inmost needs precisely by exposing - for the first time , as ...
Síða 398
... tion for the filming of Beaches . Varda is among them , giving precise instructions ( " No , facing the sea . . . turn it around , parallel to the sea " ) or recording what has already been set up with her digital camera . The effect of ...
... tion for the filming of Beaches . Varda is among them , giving precise instructions ( " No , facing the sea . . . turn it around , parallel to the sea " ) or recording what has already been set up with her digital camera . The effect of ...
Síða 410
... tion of life that constitutes the inverse of community : immunity not only derives from but is " internally inhabited by its opposite " ( 51 ) . Through political and cultural means , the paradigm of immuniza- tion makes the political ...
... tion of life that constitutes the inverse of community : immunity not only derives from but is " internally inhabited by its opposite " ( 51 ) . Through political and cultural means , the paradigm of immuniza- tion makes the political ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York