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Síða 332
a company catalog , one encounters two titles that stand out in their singularity : Une Scène d'hypnotisme I and Une Scène ... The woman , whom the Lumière catalog identifies as a certain Mademoiselle Lina de Ferkel , stands tensely in ...
a company catalog , one encounters two titles that stand out in their singularity : Une Scène d'hypnotisme I and Une Scène ... The woman , whom the Lumière catalog identifies as a certain Mademoiselle Lina de Ferkel , stands tensely in ...
Síða 353
The Father intends to play the role of the supreme signifier who can stand in for and cover up every other figure in the ... He occupies the mother's womb , he replaces Georg's letters with his own , he stands in for the friend ( " I've ...
The Father intends to play the role of the supreme signifier who can stand in for and cover up every other figure in the ... He occupies the mother's womb , he replaces Georg's letters with his own , he stands in for the friend ( " I've ...
Síða 381
Words shift the room around , and I stand next to this woman . No one sees me . I see too much . Words come in our direction , and I overhear them talk about the woman near me . I stand apart from mouths that slant slurs .
Words shift the room around , and I stand next to this woman . No one sees me . I see too much . Words come in our direction , and I overhear them talk about the woman near me . I stand apart from mouths that slant slurs .
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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