Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
Niðurstöður 1 - 3 af 5
Síða 357
... speech , it actually is a description of what the judgment undergoes : the judgment itself drowns in presence . The excessive “ now " ( jetzt ) in what almost sounds like a legal sentence ( Ich verurteile dich jetzt zum Tode des ...
... speech , it actually is a description of what the judgment undergoes : the judgment itself drowns in presence . The excessive “ now " ( jetzt ) in what almost sounds like a legal sentence ( Ich verurteile dich jetzt zum Tode des ...
Síða 381
... speech were somehow unfit or unnatural coming from the actor's body . I have heard more than one viewer insist that the filmmaker must have dubbed the voice onto the character . This aphasia in the face of Re - flexion : Genocide in ...
... speech were somehow unfit or unnatural coming from the actor's body . I have heard more than one viewer insist that the filmmaker must have dubbed the voice onto the character . This aphasia in the face of Re - flexion : Genocide in ...
Síða 404
... speech act belongs to a time - the future anterior - in which the play of the death drive will have been exposed in its domestic implications , Antigone becoming the figure of a memory that resists the stric- tures of the past such as ...
... speech act belongs to a time - the future anterior - in which the play of the death drive will have been exposed in its domestic implications , Antigone becoming the figure of a memory that resists the stric- tures of the past such as ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York