From inside the book
Niðurstöður 1 - 3 af 22
Síða 322
While self - reflective scenes where cinema filmed itself , so to speak , revealing its conditions of showing and experience , were not lacking in the early cinema period ( quite the ...
While self - reflective scenes where cinema filmed itself , so to speak , revealing its conditions of showing and experience , were not lacking in the early cinema period ( quite the ...
Síða 346
that his desire speaks in these letters . ... practice based on the mechanisms of dream work , but points to the text's courageous attempt to undo the distortions of secondary revision and to let the unconscious speak quasi - directly .
that his desire speaks in these letters . ... practice based on the mechanisms of dream work , but points to the text's courageous attempt to undo the distortions of secondary revision and to let the unconscious speak quasi - directly .
Síða 384
When the woman speaks in our language , ” which is also “ her language they call their own , ” we no longer know precisely to whom “ our ” refers . The “ mother tongue " the woman “ is ” presents a sudden kinship of the moment , forged ...
When the woman speaks in our language , ” which is also “ her language they call their own , ” we no longer know precisely to whom “ our ” refers . The “ mother tongue " the woman “ is ” presents a sudden kinship of the moment , forged ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction already animal Antarctic Antarctica Antigone appears archive argues Armenian become body called camera cinema civilized claim concept Critical Culture death defined Derrida describes double early effect essay exists experience exploration face father feel figure film finally flesh forget Freud gender genocide Georg green hand horror human identity images impression International judgment Kador Kafka kind Kracauer language letter light living logic look loss lost material means memory mental Michigan mother mourning move narrative nature object offers opens original past person photograph physical play Pole politics possibility present questions quotation reality refers reflects relation ruins scene screen seems sense shot South speaks stand story Studies suggestion Theory things thought tion trans turn University Press Varda violence visible woman writing York