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Síða 330
Catatonic Suzanne is escorted to the projection room and made to sit on a chair : only a single source of light , apparently the white screen illuminated by the projector , distinguishes her face from the darkness in a visual ...
Catatonic Suzanne is escorted to the projection room and made to sit on a chair : only a single source of light , apparently the white screen illuminated by the projector , distinguishes her face from the darkness in a visual ...
Síða 334
29 In a key passage of his L'Homme ordinaire du cinéma , Schefer speculates how the cinema spectator gets suspended in the luminous interval between the projector and the screen and becomes closed off from the outer world , and how this ...
29 In a key passage of his L'Homme ordinaire du cinéma , Schefer speculates how the cinema spectator gets suspended in the luminous interval between the projector and the screen and becomes closed off from the outer world , and how this ...
Síða 335
To emphasize , in Kador , the circuit between the screen and the soul established by the hypnotic - like play of light and shadow is meant to create new memories , new pasts . The picture of memory the film draws is hence somewhat ...
To emphasize , in Kador , the circuit between the screen and the soul established by the hypnotic - like play of light and shadow is meant to create new memories , new pasts . The picture of memory the film draws is hence somewhat ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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