Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
Niðurstöður 1 - 3 af 11
Síða 300
... represent earth's prehuman , natural past and posthuman future . Only a sober turn towards brutaliz- ing nature could shock humanity out the illusions of its warm but fuzzy sentiments , not just about the natural world , but , as Helmut ...
... represent earth's prehuman , natural past and posthuman future . Only a sober turn towards brutaliz- ing nature could shock humanity out the illusions of its warm but fuzzy sentiments , not just about the natural world , but , as Helmut ...
Síða 305
... representing and narrativizing Antarctica on film served as collateral for funds borrowed . In this regard , because ... represent icy attractions . As the film begins , Pon- ting treats us to a series of staged actualities about ...
... representing and narrativizing Antarctica on film served as collateral for funds borrowed . In this regard , because ... represent icy attractions . As the film begins , Pon- ting treats us to a series of staged actualities about ...
Síða 344
... represent an escape into personal freedom : it is the name of Max Brod's literary journal , and thus the story's " green elevations " figure the promise ( and threat ) of publication . Kafka's breakthrough as a writer will have been car ...
... represent an escape into personal freedom : it is the name of Max Brod's literary journal , and thus the story's " green elevations " figure the promise ( and threat ) of publication . Kafka's breakthrough as a writer will have been car ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York