Discourse, Bindi 33,Útgáfa 32011 |
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Síða 382
... race , for the narrative never explicitly thematizes drag or queerness or trans people.31 This diegetic reticence about J. Khorozian's queer performance situates gender and sexuality on the margins of Pinched Cheeks ' more cen- tral ...
... race , for the narrative never explicitly thematizes drag or queerness or trans people.31 This diegetic reticence about J. Khorozian's queer performance situates gender and sexuality on the margins of Pinched Cheeks ' more cen- tral ...
Síða 388
... Race , Critical America ( New York : New York University Press , 1996 ) , 67-72 , 99 , 130-31 , 205 , 207 . 30. Personal communication by Tina Bastajian . For the descriptions , see Armenian Film Festival 2004 Program Schedule , www ...
... Race , Critical America ( New York : New York University Press , 1996 ) , 67-72 , 99 , 130-31 , 205 , 207 . 30. Personal communication by Tina Bastajian . For the descriptions , see Armenian Film Festival 2004 Program Schedule , www ...
Síða 411
... race , bringing the categories of human and animal into a definite but partial congruence that allowed for Nazi scientists to identify within the human those degenerate creatures possessing “ a life that is already dead " ( 137 ) . Once ...
... race , bringing the categories of human and animal into a definite but partial congruence that allowed for Nazi scientists to identify within the human those degenerate creatures possessing “ a life that is already dead " ( 137 ) . Once ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York