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Síða 297
... which before allowing the images that their faces present to reach us catches them in its vortex , flings them back upon the idea that we have always had of them , makes them adhere to it , coincide with it .
... which before allowing the images that their faces present to reach us catches them in its vortex , flings them back upon the idea that we have always had of them , makes them adhere to it , coincide with it .
Síða 298
In other words , where a contemporary photograph is " translucent , " suffused as it is with the historical present , the old photograph renders Grandmother into “ an archeological mannequin " ( MO , 48 ) . The children laugh at the ...
In other words , where a contemporary photograph is " translucent , " suffused as it is with the historical present , the old photograph renders Grandmother into “ an archeological mannequin " ( MO , 48 ) . The children laugh at the ...
Síða 414
This relatively new form of violence , Cavarero suggests , registers both the eclipse of traditional forms of warfare as well as how “ a certain model of horror is indispensable for understanding our present .
This relatively new form of violence , Cavarero suggests , registers both the eclipse of traditional forms of warfare as well as how “ a certain model of horror is indispensable for understanding our present .
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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