Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 295
... precisely by exposing - for the first time , as it were outer reality and thus deepen- ing , in Gabriel Marcel's words , our relation to “ this Earth which is our habitat . " ( TOF , li ) Imprinted by the earth's radiance , film in turn ...
... precisely by exposing - for the first time , as it were outer reality and thus deepen- ing , in Gabriel Marcel's words , our relation to “ this Earth which is our habitat . " ( TOF , li ) Imprinted by the earth's radiance , film in turn ...
Síða 297
... precisely how the book opens itself up to a different postcatastrophic his- toricism . By turning to Kracauer's earlier and later work , I want to track in his writings the nature of natural history and the nature of nature as it ...
... precisely how the book opens itself up to a different postcatastrophic his- toricism . By turning to Kracauer's earlier and later work , I want to track in his writings the nature of natural history and the nature of nature as it ...
Síða 412
... precisely from Father to sons " ( 174 ) . The creation of subjectivity thus follows the entrance into the community rather than preceding it ; this brings the individual and the multiplicity together through the moment of collective ...
... precisely from Father to sons " ( 174 ) . The creation of subjectivity thus follows the entrance into the community rather than preceding it ; this brings the individual and the multiplicity together through the moment of collective ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York