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Síða 353
The Father intends to play the role of the supreme signifier who can stand in for and cover up every other figure in the story ( note his fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters ...
The Father intends to play the role of the supreme signifier who can stand in for and cover up every other figure in the story ( note his fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters ...
Síða 397
What we see of her face is what is projected from mirror to mirror : it is , indeed , inseparable from the play of refractions that these surfaces engender . At the same time , we hear Varda's voice - over reciting a verse about " old ...
What we see of her face is what is projected from mirror to mirror : it is , indeed , inseparable from the play of refractions that these surfaces engender . At the same time , we hear Varda's voice - over reciting a verse about " old ...
Síða 404
I have argued elsewhere that such an archival speech act belongs to a time — the future anterior — in which the play of the death drive will have been exposed in its domestic implications , Antigone becoming the figure of a memory that ...
I have argued elsewhere that such an archival speech act belongs to a time — the future anterior — in which the play of the death drive will have been exposed in its domestic implications , Antigone becoming the figure of a memory that ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction already animal Antarctic Antarctica Antigone appears archive argues Armenian become body called camera cinema civilized claim concept Critical Culture death defined Derrida describes double early effect essay exists experience exploration face father feel figure film finally flesh forget Freud gender genocide Georg green hand horror human identity images impression International judgment Kador Kafka kind Kracauer language letter light living logic look loss lost material means memory mental Michigan mother mourning move narrative nature object offers opens original past person photograph physical play Pole politics possibility present questions quotation reality refers reflects relation ruins scene screen seems sense shot South speaks stand story Studies suggestion Theory things thought tion trans turn University Press Varda violence visible woman writing York