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Síða 301
Nature qua nature , now subsumed into a capacious category of physical reality , has a new primacy in his account of what cinema redeems . In his earlier work , photography destroys nature as myth . In Theory of Film , photography and ...
Nature qua nature , now subsumed into a capacious category of physical reality , has a new primacy in his account of what cinema redeems . In his earlier work , photography destroys nature as myth . In Theory of Film , photography and ...
Síða 313
But , more than this , he questioned physical reality as being identical to those elements of the world that are available to human perception : “ To the best of our understanding we live in a world in which the constellations of basic ...
But , more than this , he questioned physical reality as being identical to those elements of the world that are available to human perception : “ To the best of our understanding we live in a world in which the constellations of basic ...
Síða 314
... we translate sensory data into manageable , perceivable forms.52 Echoing his own arguments in Film as Art ( 1932 ) , Arnheim explains that physical reality in the raw eludes perception and renders objects invisible and abstract .
... we translate sensory data into manageable , perceivable forms.52 Echoing his own arguments in Film as Art ( 1932 ) , Arnheim explains that physical reality in the raw eludes perception and renders objects invisible and abstract .
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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