Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 301
... physical world through the unloving lens of a camera , cinema not only combines images , but , through its experiments with time and duration , stages the process by which physical reality is dissociated from meaning - giving form . Not ...
... physical world through the unloving lens of a camera , cinema not only combines images , but , through its experiments with time and duration , stages the process by which physical reality is dissociated from meaning - giving form . Not ...
Síða 313
... physical reality as being identical to those elements of the world that are available to human perception : “ To the best of our understanding we live in a world in which the con- stellations of basic forces run the gamut from the ...
... physical reality as being identical to those elements of the world that are available to human perception : “ To the best of our understanding we live in a world in which the con- stellations of basic forces run the gamut from the ...
Síða 314
... physical reality in the raw eludes perception and renders objects invisible and abstract . The realistic tendency in photography , as well as in modern Western art ( the Impressionists , but also Jean Dubuffet , are some of his examples ) ...
... physical reality in the raw eludes perception and renders objects invisible and abstract . The realistic tendency in photography , as well as in modern Western art ( the Impressionists , but also Jean Dubuffet , are some of his examples ) ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York