Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 292
... photographic record , and not simply because few of the early filmmakers reached this prized geographic coordinate . Roald Amundsen had to plant a flag in the otherwise empty , indis- tinct space before he could photograph a location he ...
... photographic record , and not simply because few of the early filmmakers reached this prized geographic coordinate . Roald Amundsen had to plant a flag in the otherwise empty , indis- tinct space before he could photograph a location he ...
Síða 297
... photographic present . This is an odd claim to make for a book that , as Miriam Hansen rightly notes , all but represses film history and Kracauer's own intellectual , exilic history in its exegesis of cinematic properties . 18 ...
... photographic present . This is an odd claim to make for a book that , as Miriam Hansen rightly notes , all but represses film history and Kracauer's own intellectual , exilic history in its exegesis of cinematic properties . 18 ...
Síða 333
... photographic plate . Various experiments were made , and then the subject was brought back , as it was thought , to her normal condition . After the lapse of a considerable time Mlle . Lina was suddenly seized with shivering , and then ...
... photographic plate . Various experiments were made , and then the subject was brought back , as it was thought , to her normal condition . After the lapse of a considerable time Mlle . Lina was suddenly seized with shivering , and then ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York