Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 302
... past and be open to the multiple stories they tell . In this paradoxical scenario of history stripped of memory , the ideal historian , like the photographer , exists in " the near - vacuum of extra - territoriality , " a stranger to ...
... past and be open to the multiple stories they tell . In this paradoxical scenario of history stripped of memory , the ideal historian , like the photographer , exists in " the near - vacuum of extra - territoriality , " a stranger to ...
Síða 328
... past . Personality is predicated upon the individual's knowledge of their past , which is subject to processes of growth , degeneration , and reproduction as memories fade and new ones replace them . Thus , the self , accord- ing to ...
... past . Personality is predicated upon the individual's knowledge of their past , which is subject to processes of growth , degeneration , and reproduction as memories fade and new ones replace them . Thus , the self , accord- ing to ...
Síða 336
... past sensations are reproduced in memory.41 Furthermore , this visually imbued conceptual framework , as we will see shortly , provided ( similarly to Bernheim's notions of nervous light and ani- mated images ) an implicit ...
... past sensations are reproduced in memory.41 Furthermore , this visually imbued conceptual framework , as we will see shortly , provided ( similarly to Bernheim's notions of nervous light and ani- mated images ) an implicit ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York