Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 320
... painter are no longer considered as means of representation but as objects for their own sake , additions to the material world itself " ( 296 ) . Paint becomes simply paint , displayed for its own textures and colors and no longer used ...
... painter are no longer considered as means of representation but as objects for their own sake , additions to the material world itself " ( 296 ) . Paint becomes simply paint , displayed for its own textures and colors and no longer used ...
Síða 394
... painting " La Glaneuse , " the portrait of a lone woman standing in the fields at the end of the day , almost still , holding a sheaf of wheat ears on her shoulder . We have already glimpsed at a black - and - white Larousse ...
... painting " La Glaneuse , " the portrait of a lone woman standing in the fields at the end of the day , almost still , holding a sheaf of wheat ears on her shoulder . We have already glimpsed at a black - and - white Larousse ...
Síða 399
... painting . " Many postcards replicate images that we have come to identify as typically Japanese : sushi , Mount ... paintings , almost caressing them . “ I mean this is my project : to film with one hand my other hand , " she says ...
... painting . " Many postcards replicate images that we have come to identify as typically Japanese : sushi , Mount ... paintings , almost caressing them . “ I mean this is my project : to film with one hand my other hand , " she says ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York