From inside the book
Niðurstöður 1 - 3 af 10
Síða 298
The first is a contemporary image of a film star who is immediately recognizable because everyone has seen “ the original on the screen . " 21 We automatically accept a contemporary photograph's iconic relationship to its subject ...
The first is a contemporary image of a film star who is immediately recognizable because everyone has seen “ the original on the screen . " 21 We automatically accept a contemporary photograph's iconic relationship to its subject ...
Síða 357
The judgment reverses his original opinion . In the next breath , though , the father pronounces : “ [ B ] ut still more really have you been a devilish human being ! " ( 60 ) . Reversed again ! Even more really than really , the son is ...
The judgment reverses his original opinion . In the next breath , though , the father pronounces : “ [ B ] ut still more really have you been a devilish human being ! " ( 60 ) . Reversed again ! Even more really than really , the son is ...
Síða 378
Ruins are oddly liminal forms , collapsed somewhere between the structure's imagined , original condition and its idealized , excessively pristine restoration . They interrupt the narcissistic echo of the original in the rebuilt ...
Ruins are oddly liminal forms , collapsed somewhere between the structure's imagined , original condition and its idealized , excessively pristine restoration . They interrupt the narcissistic echo of the original in the rebuilt ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction already animal Antarctic Antarctica Antigone appears archive argues Armenian become body called camera cinema civilized claim concept Critical Culture death defined Derrida describes double early effect essay exists experience exploration face father feel figure film finally flesh forget Freud gender genocide Georg green hand horror human identity images impression International judgment Kador Kafka kind Kracauer language letter light living logic look loss lost material means memory mental Michigan mother mourning move narrative nature object offers opens original past person photograph physical play Pole politics possibility present questions quotation reality refers reflects relation ruins scene screen seems sense shot South speaks stand story Studies suggestion Theory things thought tion trans turn University Press Varda violence visible woman writing York