Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 299
... nature as the negativity of history . " Or , put differently , photogra- phy's natural history denaturalizes historical progress , coherence , and inevitability . Levin continues : “ Only when the current state of things is revealed as ...
... nature as the negativity of history . " Or , put differently , photogra- phy's natural history denaturalizes historical progress , coherence , and inevitability . Levin continues : “ Only when the current state of things is revealed as ...
Síða 304
... natural disas- ters , and sublime nature itself - that may only be known through photographic capture : " These images have nothing in common with the artist's imaginative rendering of an unseen dread but are in the nature of mirror ...
... natural disas- ters , and sublime nature itself - that may only be known through photographic capture : " These images have nothing in common with the artist's imaginative rendering of an unseen dread but are in the nature of mirror ...
Síða 315
... nature . " Because nature has become , and perhaps , as a concept has always been , ideological , abstract , and transcendental , Morton argues that we cannot think nature or formulate meaningful critiques of our eco- logical ...
... nature . " Because nature has become , and perhaps , as a concept has always been , ideological , abstract , and transcendental , Morton argues that we cannot think nature or formulate meaningful critiques of our eco- logical ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York