Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 9
Síða 382
... mirror . Although Bastajian has said that J. Khorozian is a gay man , the film itself does not offer quite the same self - consciousness about gender and sexuality as it does about race , for the narrative never explicitly thematizes ...
... mirror . Although Bastajian has said that J. Khorozian is a gay man , the film itself does not offer quite the same self - consciousness about gender and sexuality as it does about race , for the narrative never explicitly thematizes ...
Síða 397
... mirror that is visible to us only by virtue of a second mirror placed in the background and doubling the reflective surface of the first . What we see of her face is what is projected from mirror to mirror : it is , indeed , inseparable ...
... mirror that is visible to us only by virtue of a second mirror placed in the background and doubling the reflective surface of the first . What we see of her face is what is projected from mirror to mirror : it is , indeed , inseparable ...
Síða 398
... mirrors of all shapes , styles , and sizes right on the shore in prepara- tion for the filming of Beaches . Varda is among ... mirror composed of multiple screens , a folding mir- ror , such as we might have found in a turn - of - the ...
... mirrors of all shapes , styles , and sizes right on the shore in prepara- tion for the filming of Beaches . Varda is among ... mirror composed of multiple screens , a folding mir- ror , such as we might have found in a turn - of - the ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York