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Síða 302
Back in the living room , Marcel's " inner picture yields to the photograph at the very moment when the loving person he is shrinks into an impersonal stranger . ” “ Selfeffaced , " Marcel may “ perceive anything because nothing he sees ...
Back in the living room , Marcel's " inner picture yields to the photograph at the very moment when the loving person he is shrinks into an impersonal stranger . ” “ Selfeffaced , " Marcel may “ perceive anything because nothing he sees ...
Síða 384
Rather , it " slides swiftly off her tongue " and " floods the walls of their hollow ears " -in motion , actively changing shape and form , like animated , living ruins . Judith Butler has suggested that ...
Rather , it " slides swiftly off her tongue " and " floods the walls of their hollow ears " -in motion , actively changing shape and form , like animated , living ruins . Judith Butler has suggested that ...
Síða 410
... with respect to other living species ” ( 83 ) . The shifting alignment of humanity and animality defines a “ threshold beyond which what is called ' man ' enters into a different relationship with his own species ” ( 109 ) .
... with respect to other living species ” ( 83 ) . The shifting alignment of humanity and animality defines a “ threshold beyond which what is called ' man ' enters into a different relationship with his own species ” ( 109 ) .
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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