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Síða 338
... to truth ” but a specific kind of “ will to power , ” which is the cinema's power to modify memory by fabulating the past , to produce reality by animating imagination , and thus to reconfigure the world in which the subject lives .
... to truth ” but a specific kind of “ will to power , ” which is the cinema's power to modify memory by fabulating the past , to produce reality by animating imagination , and thus to reconfigure the world in which the subject lives .
Síða 375
Leaving his wife in Armenia with the Driver , the Photographer returns to Canada , where he proceeds to live and relive his traumatic experience of estrangement and alienation by hiring nine escorts of different ethnicities to have ...
Leaving his wife in Armenia with the Driver , the Photographer returns to Canada , where he proceeds to live and relive his traumatic experience of estrangement and alienation by hiring nine escorts of different ethnicities to have ...
Síða 378
Those stories and images bring life to death : " For Benjamin , history happens when something becomes present in passing away , when something lives in its death . " 27 Benjamin thus sees revolutionary potential in a criticism ...
Those stories and images bring life to death : " For Benjamin , history happens when something becomes present in passing away , when something lives in its death . " 27 Benjamin thus sees revolutionary potential in a criticism ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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