Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
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Síða 394
... later bury her brother and claim the right to commemorate his death against the injunction of the king ; and Anna Freud , who acted as her father's nurse and secretary and whose theoretical writ- ings reinforced the more conservative ...
... later bury her brother and claim the right to commemorate his death against the injunction of the king ; and Anna Freud , who acted as her father's nurse and secretary and whose theoretical writ- ings reinforced the more conservative ...
Síða 398
... Later in The Gleaners and I , another sequence shot in Varda's home , but enveloped by — and enveloping - shots of the natural landscape , further reveals the complexity of her image archive . We have just seen the purple green of the ...
... Later in The Gleaners and I , another sequence shot in Varda's home , but enveloped by — and enveloping - shots of the natural landscape , further reveals the complexity of her image archive . We have just seen the purple green of the ...
Síða 405
... Later ( 2002 ) , Agnès Varda revisits her own past , as well as the history of the medium , by gleaning film bits from the Nouvelle Vague and the pioneering work of Étienne - Jules Marey , cinema's great ancestor . Digital filmmaking ...
... Later ( 2002 ) , Agnès Varda revisits her own past , as well as the history of the medium , by gleaning film bits from the Nouvelle Vague and the pioneering work of Étienne - Jules Marey , cinema's great ancestor . Digital filmmaking ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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