Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 330
... key to the treat- ment of maladies of the soul . Nonetheless , very little further insight is given in the film as to what Professor Williams's rationale for his therapeutic invention is . The only hint we have is the glimpse of a ...
... key to the treat- ment of maladies of the soul . Nonetheless , very little further insight is given in the film as to what Professor Williams's rationale for his therapeutic invention is . The only hint we have is the glimpse of a ...
Síða 334
... key passage of his L'Homme ordinaire du cinéma , Schefer speculates how the cinema spectator gets suspended in the luminous interval between the projector and the screen and becomes closed off from the outer world , and how this ...
... key passage of his L'Homme ordinaire du cinéma , Schefer speculates how the cinema spectator gets suspended in the luminous interval between the projector and the screen and becomes closed off from the outer world , and how this ...
Síða 338
... key to its pathologies . Here , the technology of cinema par- allels with hypnosis , which by the turn of the twentieth century had become a technique for disclosing forgotten , traumatic pasts and acting on these pasts by making one ...
... key to its pathologies . Here , the technology of cinema par- allels with hypnosis , which by the turn of the twentieth century had become a technique for disclosing forgotten , traumatic pasts and acting on these pasts by making one ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York