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Síða 372
We also risk giving that crime a very specific kind of horror : namely , a horror that is essentially cast out from our most intimate space of being and assigned a radical alterity , but whose casting out must be continually performed ...
We also risk giving that crime a very specific kind of horror : namely , a horror that is essentially cast out from our most intimate space of being and assigned a radical alterity , but whose casting out must be continually performed ...
Síða 414
a two philological chapters that establish the corporeal differences between terror , with its etymological connection to trembling and flight , and horror , whose equally physiological symptoms manifest as a deathlike chill or ...
a two philological chapters that establish the corporeal differences between terror , with its etymological connection to trembling and flight , and horror , whose equally physiological symptoms manifest as a deathlike chill or ...
Síða 416
She touches on this issue in the sections devoted to Georges Bataille , Susan Sontag , and the Abu Ghraib photographs , but the relationship of terrorism to the popular genre of horror in fiction and film — and the consumption patterns ...
She touches on this issue in the sections devoted to Georges Bataille , Susan Sontag , and the Abu Ghraib photographs , but the relationship of terrorism to the popular genre of horror in fiction and film — and the consumption patterns ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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