Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
Niðurstöður 1 - 3 af 22
Síða 397
... hand forward to screen her face . What follows this self - effacing gesture is the first of a series of extraordinary “ self- portraits " in which the filmmaker shows what is considered minor , marginal , and even useless in ...
... hand forward to screen her face . What follows this self - effacing gesture is the first of a series of extraordinary “ self- portraits " in which the filmmaker shows what is considered minor , marginal , and even useless in ...
Síða 399
... hand up close . " Now she is holding the camera with one hand while the other is floating above the Rembrandt paintings , almost caressing them . “ I mean this is my project : to film with one hand my other hand , " she says , " to ...
... hand up close . " Now she is holding the camera with one hand while the other is floating above the Rembrandt paintings , almost caressing them . “ I mean this is my project : to film with one hand my other hand , " she says , " to ...
Síða 405
... hand , enveloping these images and invariably losing them . As the weather changes dramatically from shot to shot ... hand that films and the hand that is being filmed , the pressure or folding that one hand exercises on the other ...
... hand , enveloping these images and invariably losing them . As the weather changes dramatically from shot to shot ... hand that films and the hand that is being filmed , the pressure or folding that one hand exercises on the other ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York