Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
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Síða 391
... Gleaning , we will soon realize , is not only what she documents but also what she performs as she gathers images from the con- temporary world and the history of painting , printmaking , and cinema , tracing constellations that at once ...
... Gleaning , we will soon realize , is not only what she documents but also what she performs as she gathers images from the con- temporary world and the history of painting , printmaking , and cinema , tracing constellations that at once ...
Síða 399
... gleaning souvenirs and bringing them back to her house , which through the years has become a small archival depository despite its leaky ceiling and a mold spot that to her looks like “ a landscape , an abstract painting . " Many ...
... gleaning souvenirs and bringing them back to her house , which through the years has become a small archival depository despite its leaky ceiling and a mold spot that to her looks like “ a landscape , an abstract painting . " Many ...
Síða 405
... Gleaning is the archiving — indeed , the writing — of perception . Notes 1. In both The Gleaners and I ( 2000 ) and Two Years Later ( 2002 ) , Agnès Varda revisits her own past , as well as the history of the medium , by gleaning film ...
... Gleaning is the archiving — indeed , the writing — of perception . Notes 1. In both The Gleaners and I ( 2000 ) and Two Years Later ( 2002 ) , Agnès Varda revisits her own past , as well as the history of the medium , by gleaning film ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York