Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 62
Síða 301
... Film , photography and cinema enable us to see the physi- cal , fragmented world , including nature , outside of myth , and not only in hindsight . Whereas the single photograph may reveal the physical world through the unloving lens of ...
... Film , photography and cinema enable us to see the physi- cal , fragmented world , including nature , outside of myth , and not only in hindsight . Whereas the single photograph may reveal the physical world through the unloving lens of ...
Síða 304
... cinema , especially as Kracauer theorizes it , is the perfect medium to capture this physi- cal world and bring it to optical consciousness without subsuming it into cultural codification , such as narrative ? Kracauer argues that there ...
... cinema , especially as Kracauer theorizes it , is the perfect medium to capture this physi- cal world and bring it to optical consciousness without subsuming it into cultural codification , such as narrative ? Kracauer argues that there ...
Síða 305
... film served as collateral for funds borrowed . In this regard , because the South Pole contained no raw materials from which explorers or England might profit , the films were understood as the trip's sole commodity . Given this mandate ...
... film served as collateral for funds borrowed . In this regard , because the South Pole contained no raw materials from which explorers or England might profit , the films were understood as the trip's sole commodity . Given this mandate ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York