Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
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Síða 295
... experience of living in the time of catastrophe . As we anticipate the apocalyptic and seemingly inevitable melt of the polar ice caps , Kra- cauer's writings model an environmental stance akin to that which Gerhard Richter posits ...
... experience of living in the time of catastrophe . As we anticipate the apocalyptic and seemingly inevitable melt of the polar ice caps , Kra- cauer's writings model an environmental stance akin to that which Gerhard Richter posits ...
Síða 296
... experience it through the camera . And we are free to experience it because we are fragmentized . ( TOF , 300 ) While cinema has existed since the turn of the twentieth century , it is only in this postwar era , in the context of this ...
... experience it through the camera . And we are free to experience it because we are fragmentized . ( TOF , 300 ) While cinema has existed since the turn of the twentieth century , it is only in this postwar era , in the context of this ...
Síða 333
... experience and become completely immersed in the life of inanimate things and beings , her regime of sensibility being disseminated into the surroundings while her own body was anes- thetic . Here it is indeed hard to delineate between ...
... experience and become completely immersed in the life of inanimate things and beings , her regime of sensibility being disseminated into the surroundings while her own body was anes- thetic . Here it is indeed hard to delineate between ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York