Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 5
Síða 404
... difference but is creative of differences to come , finding in the filmmaker's hands its anonymous and singular signature . Which also means : that the relation between camera and substratum is reversible and that , paradoxically , even ...
... difference but is creative of differences to come , finding in the filmmaker's hands its anonymous and singular signature . Which also means : that the relation between camera and substratum is reversible and that , paradoxically , even ...
Síða 410
... difference , with respect to other liv- ing species " ( 83 ) . The shifting alignment of humanity and animal- ity defines a " threshold beyond which what is called ' man ' enters into a different relationship with his own species ...
... difference , with respect to other liv- ing species " ( 83 ) . The shifting alignment of humanity and animal- ity defines a " threshold beyond which what is called ' man ' enters into a different relationship with his own species ...
Síða 414
two philological chapters that establish the corporeal differences between terror , with its etymological connection to ... difference , Cava- rero argues passionately for horrorism as the proper name for con- temporary suicide violence ...
two philological chapters that establish the corporeal differences between terror , with its etymological connection to ... difference , Cava- rero argues passionately for horrorism as the proper name for con- temporary suicide violence ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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