Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 8
Síða 315
... consider how nature , itself , is conjured in literary form : " Ideology resides in the attitude we assume toward this fasci- nating object [ nature ] . By dissolving the object , we render the ide- ological fixation inoperative . " 61 ...
... consider how nature , itself , is conjured in literary form : " Ideology resides in the attitude we assume toward this fasci- nating object [ nature ] . By dissolving the object , we render the ide- ological fixation inoperative . " 61 ...
Síða 365
... consider to be wrong , namely , that Kafka was “ a happy man and happy writer " ( W. G. Kudszus , “ Kafka's Cage and Circus , ” in Kafka and the Contemporary Critical Performance [ see note 40 ] , 158–64 , quotation on 159 ) . Such a ...
... consider to be wrong , namely , that Kafka was “ a happy man and happy writer " ( W. G. Kudszus , “ Kafka's Cage and Circus , ” in Kafka and the Contemporary Critical Performance [ see note 40 ] , 158–64 , quotation on 159 ) . Such a ...
Síða 404
... consider akin to Loïe Fuller's luminous dance , the dehiscence of being ( flesh ) affirms itself as the winding ( serpentement ) of the vis- ible.37 In The Visible and the Invisible , Merleau - Ponty calls this turn- ing inside - out of ...
... consider akin to Loïe Fuller's luminous dance , the dehiscence of being ( flesh ) affirms itself as the winding ( serpentement ) of the vis- ible.37 In The Visible and the Invisible , Merleau - Ponty calls this turn- ing inside - out of ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York