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Síða 322
Cinema's Memoropolitics : Hypnotic Images , Contingent Pasts , Forgetting Pasi Väliaho What makes a medium a medium ( as Lorenz Engell phrases it ) is the medium's capacity to disclose its own conditions of production and experience .
Cinema's Memoropolitics : Hypnotic Images , Contingent Pasts , Forgetting Pasi Väliaho What makes a medium a medium ( as Lorenz Engell phrases it ) is the medium's capacity to disclose its own conditions of production and experience .
Síða 338
47 In both Janet and Kador , we are dealing with the power to produce the real by creating new pasts for the subject , quite like the " power of the false ” that Deleuze describes in Cinema 2 , where he discusses a modality of cinematic ...
47 In both Janet and Kador , we are dealing with the power to produce the real by creating new pasts for the subject , quite like the " power of the false ” that Deleuze describes in Cinema 2 , where he discusses a modality of cinematic ...
Síða 340
Stanley Cavell , “ What Photography Calls Thinking , ” in Cavell on Cinema , ed . William Rothman , Horizons of Cinema ( Albany , NY : SUNY Press , 2005 ) , 115–33 , esp . 126 . 21 . 23 . 24 . 26 . 20. As quoted in Janet Bergstrom's ...
Stanley Cavell , “ What Photography Calls Thinking , ” in Cavell on Cinema , ed . William Rothman , Horizons of Cinema ( Albany , NY : SUNY Press , 2005 ) , 115–33 , esp . 126 . 21 . 23 . 24 . 26 . 20. As quoted in Janet Bergstrom's ...
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Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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