Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 5
Síða 343
... beginning of the text sets things up for change : " Georg Bendemann ... had just finished a letter to an old friend of his , . . . closed the envelope in a slow dreamy fashion , and with his elbows propped on the writing table was ...
... beginning of the text sets things up for change : " Georg Bendemann ... had just finished a letter to an old friend of his , . . . closed the envelope in a slow dreamy fashion , and with his elbows propped on the writing table was ...
Síða 364
... beginning of the story ( an author with a " complacent capacity of closure ” [ “ Tradition and Betrayal , ” 97 ] ) . This reading itself performs a closure of judgment and thus ultimately flees from the unraveling of logic that its ...
... beginning of the story ( an author with a " complacent capacity of closure ” [ “ Tradition and Betrayal , ” 97 ] ) . This reading itself performs a closure of judgment and thus ultimately flees from the unraveling of logic that its ...
Síða 405
... beginning or end . Here , in what could be considered the film's impossible center , digital gleaning offers us the recurring trace of its own pro- cess , the impression of a vision or touch that retreats from itself while seeing or ...
... beginning or end . Here , in what could be considered the film's impossible center , digital gleaning offers us the recurring trace of its own pro- cess , the impression of a vision or touch that retreats from itself while seeing or ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York