Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
Niðurstöður 1 - 3 af 49
Síða 324
... become heir of an immense fortune . Underage , she is appointed a guardian , her cousin Fernand de Keranic ( played by Léonce Perret himself ) . When Suzanne approaches the age of inheritance , she falls in love with Captain Jean d ...
... become heir of an immense fortune . Underage , she is appointed a guardian , her cousin Fernand de Keranic ( played by Léonce Perret himself ) . When Suzanne approaches the age of inheritance , she falls in love with Captain Jean d ...
Síða 347
... become increasingly difficult to determine . His friend is more stable - in fact , he does not move at all . He feels bound to a precarious Russia he does not allow himself to leave . The friend has an obvious need to distance himself ...
... become increasingly difficult to determine . His friend is more stable - in fact , he does not move at all . He feels bound to a precarious Russia he does not allow himself to leave . The friend has an obvious need to distance himself ...
Síða 348
... become impos- sible because , in this state of isolation and alienation from the unconscious , the ego denies that it ever even loved the mother . The mother had “ died ” long before her actual death . Where is the love for the mother ...
... become impos- sible because , in this state of isolation and alienation from the unconscious , the ego denies that it ever even loved the mother . The mother had “ died ” long before her actual death . Where is the love for the mother ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York