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Síða 397
complex displacement of the traditional opposition between passivity and activity , and our understanding of Varda's work highly benefits from it . And yet , if “ receptacle " is now aligned with the surface rather than the implement ...
complex displacement of the traditional opposition between passivity and activity , and our understanding of Varda's work highly benefits from it . And yet , if “ receptacle " is now aligned with the surface rather than the implement ...
Síða 398
There is a reversal to this scene , one that appears in Varda's most recent film , Les plages d'Agnès ( Beaches of Agnes , 2008 ) , but that is worth mentioning here as we elaborate on a kind of writing that unfolds by a turning inside ...
There is a reversal to this scene , one that appears in Varda's most recent film , Les plages d'Agnès ( Beaches of Agnes , 2008 ) , but that is worth mentioning here as we elaborate on a kind of writing that unfolds by a turning inside ...
Síða 405
Notwithstanding Derrida's own version of the phenomenological project , Varda does not dream of an archive in which the trace no longer distinguishes itself from the substrate , ” and the singular can coincide only with the instant of ...
Notwithstanding Derrida's own version of the phenomenological project , Varda does not dream of an archive in which the trace no longer distinguishes itself from the substrate , ” and the singular can coincide only with the instant of ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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