Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 322
... Rocks of Kador ( Le Mystère des roches de Kador ) , a unique film on cin- ema technology , trauma , and memory directed by Léonce Perret in 1912. Kador includes one of the most compelling film - within- a - film scenes in the early ...
... Rocks of Kador ( Le Mystère des roches de Kador ) , a unique film on cin- ema technology , trauma , and memory directed by Léonce Perret in 1912. Kador includes one of the most compelling film - within- a - film scenes in the early ...
Síða 334
... Rocks of Kador . In Kador , however , the luminous vibrations of the silver screen realize the replacement and decomposition of memory in addition to sensibility . In the process of curing Suzanne , a hyp- notic - like circuit of ...
... Rocks of Kador . In Kador , however , the luminous vibrations of the silver screen realize the replacement and decomposition of memory in addition to sensibility . In the process of curing Suzanne , a hyp- notic - like circuit of ...
Síða 338
... Rocks of Kador compel us to think about cinema ? First of all , in its self - reflective mode , Kador situates cinema within the context of the sciences of memory that emerged during the latter half of the nineteenth century and came up ...
... Rocks of Kador compel us to think about cinema ? First of all , in its self - reflective mode , Kador situates cinema within the context of the sciences of memory that emerged during the latter half of the nineteenth century and came up ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York