Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 381
... Pinched Cheeks thematizes the power of framing over the image and the story . The girl and the woman at the table reframe the culture and language the Arme- nian adults at the Sunday gathering desperately claim as their own , as if ...
... Pinched Cheeks thematizes the power of framing over the image and the story . The girl and the woman at the table reframe the culture and language the Arme- nian adults at the Sunday gathering desperately claim as their own , as if ...
Síða 382
... Pinched Cheeks offers nothing by way of a bio- graphical narrative of the woman , nor anything like a positivist account of how Armenians were declared “ white by law " in two for- gotten US federal courts cases from 1910 and 1925.29 ...
... Pinched Cheeks offers nothing by way of a bio- graphical narrative of the woman , nor anything like a positivist account of how Armenians were declared “ white by law " in two for- gotten US federal courts cases from 1910 and 1925.29 ...
Síða 385
... Pinched Cheeks enters into such catachresis . What , then , has happened to “ genocide ” in Bastajian's film ? Utterly unspoken , it seems to have been forgotten , even carelessly left behind . And yet if " genocide " does not simply ...
... Pinched Cheeks enters into such catachresis . What , then , has happened to “ genocide ” in Bastajian's film ? Utterly unspoken , it seems to have been forgotten , even carelessly left behind . And yet if " genocide " does not simply ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York