Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 392
mark at the surface or in the thickness of a substrate ; " the second is quasi - conceptual , “ archive " being a notion rather than a concept ; and , finally , the third is genealogical , pertaining to the impression " left by " Freud ...
mark at the surface or in the thickness of a substrate ; " the second is quasi - conceptual , “ archive " being a notion rather than a concept ; and , finally , the third is genealogical , pertaining to the impression " left by " Freud ...
Síða 397
... mark by means of an instrument ( stylus , stiletto , phal- lus ) that “ gives ” ( ink , blood , semen ) ? Varda's ... marks an edit that takes us back outside , to the road and the countryside . Varda occupies the passenger's seat and is ...
... mark by means of an instrument ( stylus , stiletto , phal- lus ) that “ gives ” ( ink , blood , semen ) ? Varda's ... marks an edit that takes us back outside , to the road and the countryside . Varda occupies the passenger's seat and is ...
Síða 398
... marks , warts etc. " 18 The prosaic requires sublimation . There is a reversal to this scene , one that appears in Varda's most recent film , Les plages d'Agnès ( Beaches of Agnes , 2008 ) , but that is worth mentioning here as we ...
... marks , warts etc. " 18 The prosaic requires sublimation . There is a reversal to this scene , one that appears in Varda's most recent film , Les plages d'Agnès ( Beaches of Agnes , 2008 ) , but that is worth mentioning here as we ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York