Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 390
... Gleaners and I ) in 2000 and , shortly afterward , the companion piece Les Glaneurs et la glaneuse deux ans après ( The Gleaners and I .. Two Years Later , 2002 ) . A superb example of cinematic writing , these works offer us the mise ...
... Gleaners and I ) in 2000 and , shortly afterward , the companion piece Les Glaneurs et la glaneuse deux ans après ( The Gleaners and I .. Two Years Later , 2002 ) . A superb example of cinematic writing , these works offer us the mise ...
Síða 391
... gleaners of all kinds as they wander the countryside , the seashore , and the city , but— “ in times past , ” her voice - over tells us , “ only women gleaned , " while a montage sequence shows us female gleaners from paintings by Jules ...
... gleaners of all kinds as they wander the countryside , the seashore , and the city , but— “ in times past , ” her voice - over tells us , “ only women gleaned , " while a montage sequence shows us female gleaners from paintings by Jules ...
Síða 394
... gleaner's camera reconfigures the memory through which our existence is constituted . Beyond the Caméra - stylo Early in The Gleaners and I , a brief sequence overtly confirms Varda as the glaneuse of the title , the one who collects ...
... gleaner's camera reconfigures the memory through which our existence is constituted . Beyond the Caméra - stylo Early in The Gleaners and I , a brief sequence overtly confirms Varda as the glaneuse of the title , the one who collects ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York