Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 410
... Esposito calls the “ paradigm of immunization . ” This para- digm , Esposito's primary contribution to the biopolitical lexicon , describes a process that protects life not through an affirmation but through the introduction of an ...
... Esposito calls the “ paradigm of immunization . ” This para- digm , Esposito's primary contribution to the biopolitical lexicon , describes a process that protects life not through an affirmation but through the introduction of an ...
Síða 411
... Esposito argues that liminal status is possible because Nazism allowed these two categories to overlap : “ [ M ] ore than ' bestializ- ing ' man [ Nazism ] ' anthropologized ' the animal , enlarging the definition of anthropos to the ...
... Esposito argues that liminal status is possible because Nazism allowed these two categories to overlap : “ [ M ] ore than ' bestializ- ing ' man [ Nazism ] ' anthropologized ' the animal , enlarging the definition of anthropos to the ...
Síða 412
... Esposito offers the term flesh because it denotes a bio- logical surface that , despite always being on the body's exterior , is inseparable from it . He invokes Maurice Merleau - Ponty to under- stand flesh as concomitant with the ...
... Esposito offers the term flesh because it denotes a bio- logical surface that , despite always being on the body's exterior , is inseparable from it . He invokes Maurice Merleau - Ponty to under- stand flesh as concomitant with the ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York