Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
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Síða 378
... black woman in a white headband and scarf and a black sweater then appears seated at the table , where Henri is depicted in " Self - Portrait , 1928 " ( figure 2 ) . Throughout the rest of the film , 378 David Kazanjian.
... black woman in a white headband and scarf and a black sweater then appears seated at the table , where Henri is depicted in " Self - Portrait , 1928 " ( figure 2 ) . Throughout the rest of the film , 378 David Kazanjian.
Síða 381
... Black . Seva mort [ literally : of black skin ] . Who has brought this black woman here ? ” [ 3 : 51-4 : 43 ] . Linking these two voice - over sequences is an interaction between the girl and the woman at the table . In the mirror , we ...
... Black . Seva mort [ literally : of black skin ] . Who has brought this black woman here ? ” [ 3 : 51-4 : 43 ] . Linking these two voice - over sequences is an interaction between the girl and the woman at the table . In the mirror , we ...
Síða 382
... Black . Seva mort . Who has brought this black woman here ? " This last question is never answered by the film . Pinched Cheeks offers nothing by way of a bio- graphical narrative of the woman , nor anything like a positivist account of ...
... Black . Seva mort . Who has brought this black woman here ? " This last question is never answered by the film . Pinched Cheeks offers nothing by way of a bio- graphical narrative of the woman , nor anything like a positivist account of ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York