Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 21995 |
From inside the book
Niðurstöður 1 - 3 af 18
Síða 86
... turn to give our names , ages , etc. , that is , about seven or eight other prisoners , all females , and our three selves . It was the turn of Jane Warton . She walked across to the policeman , one shoulder hitched slightly above the ...
... turn to give our names , ages , etc. , that is , about seven or eight other prisoners , all females , and our three selves . It was the turn of Jane Warton . She walked across to the policeman , one shoulder hitched slightly above the ...
Síða 141
... turn by stressing the multiple significances of female unruliness . In her article " Female Grotesques : Carnival and Theory , " Russo writes about the disruptions created by women who " step into the lime- light out of turn ” ( 213 ) ...
... turn by stressing the multiple significances of female unruliness . In her article " Female Grotesques : Carnival and Theory , " Russo writes about the disruptions created by women who " step into the lime- light out of turn ” ( 213 ) ...
Síða 153
... turn . I hope , however , that we can take at least as seriously the second option , as more and more women seem , lately , to have done . Rebecca Walker's averted gaze in Bazaar could be read , it strikes me , as an instance of Russo's ...
... turn . I hope , however , that we can take at least as seriously the second option , as more and more women seem , lately , to have done . Rebecca Walker's averted gaze in Bazaar could be read , it strikes me , as an instance of Russo's ...
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