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Síða 69
6 was not strictly related to the anxieties or pleasures generated by “ woman as spectacle . ” 6 Rather , the scoptic problem both activists " and nonactivists faced was that of the crowd , envisioned as a threatening ( masculine ) mob ...
6 was not strictly related to the anxieties or pleasures generated by “ woman as spectacle . ” 6 Rather , the scoptic problem both activists " and nonactivists faced was that of the crowd , envisioned as a threatening ( masculine ) mob ...
Síða 89
( 5 ) Discussions of woman as spectacle can be traced to Laura Mulvey's classic text “ Visual Pleasure and Narrative Cinema . ” There have been a number of important modifications of her theory : see , for example , Jacqueline Rose and ...
( 5 ) Discussions of woman as spectacle can be traced to Laura Mulvey's classic text “ Visual Pleasure and Narrative Cinema . ” There have been a number of important modifications of her theory : see , for example , Jacqueline Rose and ...
Síða 142
4 spectacle [ s ] out of [ themselves ) ” can act both to " undermine " and to “ reinforce ” existing social structures . These concerns were ( and in many cases , still are ) critical to a variety of women's coalitions that assumed ...
4 spectacle [ s ] out of [ themselves ) ” can act both to " undermine " and to “ reinforce ” existing social structures . These concerns were ( and in many cases , still are ) critical to a variety of women's coalitions that assumed ...
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