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Síða 13
24 According to Charles Russell , the extremity of avant - garde rhetoric aimed “ to accelerate the disruption of aesthetic and social traditions in order to thrust art and society faster into the future ” ( ix ) .
24 According to Charles Russell , the extremity of avant - garde rhetoric aimed “ to accelerate the disruption of aesthetic and social traditions in order to thrust art and society faster into the future ” ( ix ) .
Síða 17
When suffragettes attacked art galleries and museums in an impulse characteristic ( one might say constitutive ) of the rhetoric of the contemporary artistic avant - garde — they secured an important intersection of political and ...
When suffragettes attacked art galleries and museums in an impulse characteristic ( one might say constitutive ) of the rhetoric of the contemporary artistic avant - garde — they secured an important intersection of political and ...
Síða 61
... not have been effective had she not abandoned conventional female rhetoric . My reading of the texts indicates , however , that she made no such definitive shift ; instead , she mixed typically female and male modes of expression .
... not have been effective had she not abandoned conventional female rhetoric . My reading of the texts indicates , however , that she made no such definitive shift ; instead , she mixed typically female and male modes of expression .
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