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Síða 29
“ Caraboo " was , in other words , a generically self - conscious performance that troped its own conventions and the contexts that gave shape to them . Most pointedly , by exposing the fantastic basis — and enacting the contradictions ...
“ Caraboo " was , in other words , a generically self - conscious performance that troped its own conventions and the contexts that gave shape to them . Most pointedly , by exposing the fantastic basis — and enacting the contradictions ...
Síða 85
( 9 ) - Vida's performance of working - class femininity is a rejection of the conventional spectacularity that organizes upper - class femininity , a redressing of the self for successful political agency.29 Yet , the masquerade that ...
( 9 ) - Vida's performance of working - class femininity is a rejection of the conventional spectacularity that organizes upper - class femininity , a redressing of the self for successful political agency.29 Yet , the masquerade that ...
Síða 86
In Prisons and Prisoners , masquerade is more than a fleeting performance ; Lytton signed her autobiography with both the names Lady Constance Lytton and Jane Warton , Spinster . This testimony of a fictional subject should stand as one ...
In Prisons and Prisoners , masquerade is more than a fleeting performance ; Lytton signed her autobiography with both the names Lady Constance Lytton and Jane Warton , Spinster . This testimony of a fictional subject should stand as one ...
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