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Síða 139
... fascination among fashion journalists , a fascination that was mirrored by feminist critics , artists , and activists who " - across a range of positions – were themselves demonstrating a fresh You're Beautiful When You're Angry: .
... fascination among fashion journalists , a fascination that was mirrored by feminist critics , artists , and activists who " - across a range of positions – were themselves demonstrating a fresh You're Beautiful When You're Angry: .
Síða 152
At precisely the time when feminist critics , artists , and activists were beginning to test the limits of performance as a strategy for political resistance , Marc Jacobs wanted to claim , to the contrary , that what women did out in ...
At precisely the time when feminist critics , artists , and activists were beginning to test the limits of performance as a strategy for political resistance , Marc Jacobs wanted to claim , to the contrary , that what women did out in ...
Síða 160
... is conflated with coerced subjectivity , a symbol of captivity to a plot of irreversible degeneration , and the result is that social critics from W. R. Greg to Charles Dickens at once exonerate and distance themselves from her .
... is conflated with coerced subjectivity , a symbol of captivity to a plot of irreversible degeneration , and the result is that social critics from W. R. Greg to Charles Dickens at once exonerate and distance themselves from her .
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Bókfræðilegar upplýsingar
| Titill | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 2 |
| Contributors | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Útgefið | 1995 |
| Original from | Háskólinn í Michigan |
| Digitized | 25 apr. 2008 |
| Export Citation | BiBTeX EndNote RefMan |