Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 20,Útgáfa 3Indiana University Press, 1998 |
From inside the book
Niðurstöður 1 - 3 af 32
Síða 58
... whole " and its sets - both the whole grasped by the image and the possible whole of the world . At the opposite end , modern cinema is built on ruptures , “ irrational cuts " which suppose a new , unassignable interval between shots ...
... whole " and its sets - both the whole grasped by the image and the possible whole of the world . At the opposite end , modern cinema is built on ruptures , “ irrational cuts " which suppose a new , unassignable interval between shots ...
Síða 69
... whole in giving us such an impression of “ truth ” in relation to each one of the auteurs it treats and which has ... whole of the world in the whole of the cinema , and , in this thought of the whole , the whole of thought , offers ...
... whole in giving us such an impression of “ truth ” in relation to each one of the auteurs it treats and which has ... whole of the world in the whole of the cinema , and , in this thought of the whole , the whole of thought , offers ...
Síða 207
... whole musical piece or even a whole diagram , they are going to make the speeds of the sequences vary , they are going to produce interferences or even resonances , not merely harmonic ones but resonances of speed between sequences ...
... whole musical piece or even a whole diagram , they are going to make the speeds of the sequences vary , they are going to produce interferences or even resonances , not merely harmonic ones but resonances of speed between sequences ...
Efni
The Friend | 17 |
The Troublemakers | 23 |
The Grandeur of Yasser Arafat | 30 |
Höfundarréttur | |
8 aðrir hlutar ekki sýndir
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