Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 20,Útgáfa 3Indiana University Press, 1998 |
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Niðurstöður 1 - 3 af 38
Síða 45
... hand , draws from the fear an indifference to destiny , a kind of grace that suffuses him , a distance that already places him in another world . Shadows of angels . Both have the power of transformation because they have this strength ...
... hand , draws from the fear an indifference to destiny , a kind of grace that suffuses him , a distance that already places him in another world . Shadows of angels . Both have the power of transformation because they have this strength ...
Síða 223
... hand . Endings that come out of nowhere . Such endpoints are not dramatic , more evanescent - each improvisation seems like it could continue infinitely ; when it is over , a piece has not drawn to a conclusion but has simply stopped ...
... hand . Endings that come out of nowhere . Such endpoints are not dramatic , more evanescent - each improvisation seems like it could continue infinitely ; when it is over , a piece has not drawn to a conclusion but has simply stopped ...
Síða 247
... hand literature , both Romantic ( the Brontës , Ecrits de Jeunesse , Pauvert , 1972 [ Laffont , 1992 ] ; Alexandre Dumas , Mademoiselle Guillotine , La Différence , 1990 ) and contempo- rary ( Henri Michaux , Gallimard , 1965 [ “ Folio ...
... hand literature , both Romantic ( the Brontës , Ecrits de Jeunesse , Pauvert , 1972 [ Laffont , 1992 ] ; Alexandre Dumas , Mademoiselle Guillotine , La Différence , 1990 ) and contempo- rary ( Henri Michaux , Gallimard , 1965 [ “ Folio ...
Efni
The Friend | 17 |
The Troublemakers | 23 |
The Grandeur of Yasser Arafat | 30 |
Höfundarréttur | |
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